ay, Pais Mon., Wed., Thu

/ Park & Tilford Cineplex:

200 - 333 Brooksbank, North Vancouver (

The Siege — 1:40. 7:25, 10 par

I Still Know What You Did Last Summer — 1:53 50 p.m.

There’s Something About Mary -

Antz — 2:15, 6

_ The Red Violin

“9pm.

* Pleasantv: ille —!1

a Esplanade 6 Cinemas

200 W. Esplanade, North Vancouver

The Waterboy — Fni., Sai., Sun.,

7: 30, 9:50 pan. ving Our Loud — Fri. ., Sat., Sun, Tu

9:33 pam. Mon. Wed., Thur 35 pan,

TW Be Home For Christma: Sun., T cs

2:40, 4:40; 7, 9:15 pam. Mon.,

What Dreams May ‘Come -

230, 9:50

3:30; 7:10 p.m. Mon We rd., - Practical Magic ti, Sa Sun Se ; 9:30 p.m. Mon., Wed., Thurs. 7:05, 9:30 p.m.

@ Caprice Park Royal South

-West Vancouver (926-6699) The Last Night — 7 p.m.

Vampires — 7:05, 9 p.m.

Soldier — 9:20 p.m.

Rush Hour — 9:25 p.m.

Apt Pupil — 7:10 p.m.

@ Fifth Avenue Cinemas. 2110 Burrard at Sth, Vancouver (734-8700)

“og American History X—7?: 05, 9:35 p.m. plus Sar., sun, i 35,

4:05 p.m. and'Tues The Red Violin — ‘p.m. and Tues, 4:15 Im jostors — 9:25 p. m. plus Sat. Sun. 1: 55,4 Tues. 4 p.m. (rio 7:15 p.m. show Wed: Nov. 18)

Night 7: 79:20 p-m. plus Sat., Sun. 2:05, +

4:05 p.m. 0 p.m. plus Sat., Sun. 1:30, 4:15.

440 Cambie at. 18th, Vancouver (876. -2747)« _ Life is eae :30 )P. m. plus Sat., Sun. 1:30, 4 pm. and Tues. 4pm." a

a Varsity Theatre . 4375 West: 10th at Trimbic, Vancouver -(022- 2235) ; Elizabeth - : + 9:30 p.m. Phus Sat., Sun. 1:36, 4 p.m.

li Pacific ‘Cinematheque oa 1131, Howe St Vancouver (6 684.3456). : ; Robert’ Bresson’s work The Poetry of e ‘weekend.

day, No’ L sllipop Pictures wil hold A Fare to ‘fundraising/wrap party for Neil Every’s The Fare r St; ver. Doors will open at 8 p.m: ¢ first screening of the'trailer for the fi rch the.$13 ick ts call 331- 0495

1:40, 3:50, 7:15, 12:40,

ane

“Elizabeth I amidst dark days for England. The

7. "Photo Alex Baley

SHEKHAR | Kapur’ 's English directorial debut examines the intrigue surrounding the court of Elizabeth ]

Flizabeth creates (

WS Elizabeth kk) /2 Starring Cate Blanchett, Geoffrey Rush, Christopher Eccleston and “ Joseph Fiennes. Opens today at the Varsity - Theatre. -

Elizabeth has it all: murder, lust, ambi- tion, love — proving that truth often makes the best fiction.

The film chronicles the ascent to the throne of

cou is bankrupt and civil unrest is ri

between Protestants, persecuted under Elizabeth’s half-sister Mary (“Bloody Mary”) Tudor, and the reigning Catholics.

Being Protestant, Elizabeth’s position a5 queen by no means guarantees her safety, and what follows is a web of . plats to liave the young queen killed: an arrow that narrowly misses Elizabeth’s head, a cloaked stranger, and even a poi- ; soned gown.

Cate Blanchett (Oscar and Lucinda) is pale and luminous, cerily well cast as Queen Elizabeth, and i is a cinch for an Academy Award nomination.

Blanchett convincingly undergoes the transformation of Elizabeth from tentative young monarch to woman who takes

Pranab einea 2

ist Anniversary Celebration! 7a Gift Certificate

am when 2 entrees & © 2 appetizers are purchased

“THANK YOu!

to the: “residents | ‘ot North ‘and West

oe Varicouver for your wholehearted support of

“the donations for wreaths and 1 poppies in our =. recent campaign.

The Royal Canadian Legion rth Van Lynn Valley West Van “(Branch 118). (Branch 114) . (Branch 60)*

Unit 45, Army, Navy & Air Force Veterans SS Unit 49, ‘Korea Veterans :

JUUE CRAWFORD Fium Reviews

on the bishops and ref es to marry, declaring that: she knows what is best for England, eee ” For a period piece, Elisabeth is remar q in part because of the eclectic casting cheices Screen legends John Gielgud and Richard -’ Attenborough mix seamlessly with relativ comers Blanchett, Christopher Eccleston ( Pri ice Above Rubivs), Joseph Fiennes, and even F soccer star Eric Cantona. ° The fact that director Shekhar Kapur. (The Ban Queen), making his English directorial debut, w unfamiliar with the history doubtless also con tributed to his tilm’s success. Kapur’s film is some what “anti-Merchant Ivory.” Their films are light, both literally and subscantively. Elizabeth i is rich, dark; brutal.

Compare a chablis to a cabernet.

Although the year is 1554, the central theme i isa im one. Elizabeth must choose between ‘carcer and lov

alliance with France or Spain would be:a strategic move; but

might vex the loser. She decides not to: marry, to rule on her: own merit, and to become an icon for. the ke of try.

Elizabeth is already generating all sorts ‘of O: deservedly so. The film’is a very ‘good adaptati slice of English history. .

_ Siday, Novenber 15 at 200 pm emir

one. of Scotland's leading lyric carat with '