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2 Call’ your i Relay team together - “and stroll, walk; run ot jog the. : “scenic 2K route

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From page 18

Washington on bass und Al Foster on drums.

This month Blue Note releases The Carnegie Hall Jazz Band, directed by Jon Faddis. Rosnes was honored to be with the band, “It's defi- nitely a thrill.” she said.

In May she played Duke Ellington's Hollywood film scores with the Lincoln Centre Jazz Orchestra, directed by’ Wynton Marsalis.

Following her Vancouver jazz festival dates (June 25 at the CEC Jazz Cafe; June 26 at

‘GOOD TIME!

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the Vogue Theatre) she heads for Europe to play with Danish bassist Niels Henning Orsted Pedersen (Oscar Peterson's bassist).

Jazz came into her life when she attended Handsworth secondary schcol.

“I realiy must give great credit to the music director who is still there, Bob Rebagliati.

“I didn’t hear jazz ai home or on the radio. Bob, or Reb as we affectionately called him, he was very instrumental in getting a lot of kids into the music. He introduced me toa whole bunch of styles of jazz when I was starting. I can’t give him enough credit because | now know how iniportant that is,” she said.

Rebagliati has this to say about his star graduate of 1979; “She has perfect pitch and she also played violin very well. Anything i showed her on the piano she had right away.

“I think she’s fabulous. She’s built a solid and honest career on talent.”

The latest disc from

Rosnes contains some person-

ally profound musical stories.

During a three-month peri- od in 1994 she first met Mohindar, her biological mother, and she lost her adop- tive mother, Audrey, to cancer.

“It was a pretty emotional time with very high highs and low lows in there. It felt very natural to try and let some of those feelings come out in the music.’ .

Rosnes has yet tos see how the discovery of her Indian

cultural heritage will influence. .

her and, by extension, her - music. “I've always been a fan of world music. f'm 100% Indian, which was such a shock to me given my skin color.”

Ancestors shows off well Rosnes’ immense skill at the piano as well as her strong compositional ability.

She's learned over the years to be less harsh on her- self when she’s creating. “I- had a hard time writing .- because I would hate ¢ every- thing I was writing., ins

“I'd crumple it up and I

didn’t give it a chance, I real- °° 5 ized you can’t do that and the.” : ~ and world-beat musicians a

best way to compose is to do. it continually, make it not a — special thing but just part an

your life.”

Rosnes lives with a note: ; book to jot down her develop- ing musical ideas, “Some- times tunes just pop out and sometimes they take a while *

* to grow. f don’t chastise

myself anymore.’ Whatever way these compositions devel- op, great. Once. you've got all: the basics down you want 9: be telling a story.” :

She's looking | forward to . playing in Vancouver ¢ again “It has a special feeling” * because of the friends and’ family in the audience do

- And what does she maki of the rocketing « careers of

‘three women in jazz from

B.C, iow living. the Big Apple dream? *

+ M's interesting to me thi there are thre¢ of us here. because there are'not that : : many of us yet, women instru-. mentalists. it’s still really hard to get that first break,’

. Diana Kralt and kigrid’:

numerous ‘oiher r jazz, blues}

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