Joe Shaver keeping ‘outlaw’ legacy intact

Michael Becker RECORD REVIEW

COUNTRY outlaw steals the show; New York trio shares American roots. Billy Joe Shaver — Tramp On Your Street, BMG Music 1993 Ina recent interview, Waylon Jennings, a fellow “outlaw” country compadre, bemoaned the fact that many leading contem- porary country musicians bust the bronco of success with little else than a pretty face, a pleasing voice and a folksy ranch-style manner.

_ Where are the songs? Where is the hard-won wisdom, the gritty stuff of life, he asked.

” Tramp On Your Street is a fertile . place to start. Waylon put the spurs to his own career when he recorded an’ _ album loaded with mostly Shaver "material -- Honky Tonky Heroes. He appears as a guest on the Texan’s second release in 10 |, years. ; Shaver's son Eddy is equally .. fierce and fine on guitar. Al

_« Kooper fills out the no-frills ‘sound

_on Hammond B3 organ, Wurlitzer and piano.

The title track chronicles a. fateful journey Shaver once took ‘as a young lad to check out the ac- ‘tion at the Wonder Bread Com-

' pany in Corsicana, Texas.

DIPLOMA PROGRAM FOR OCCUPATIONAL

ie

BILLY JOE Shaver (left) is joined bu son Eddy on gi

Photo submitted

Kooper on keyboards for Tramp On Your Street.

The Light Crust Doughboys were playing. With them was an unknown artist who shaped Shaver's musical perspective.

Says Shaver, “Homer and Jethro was playing and then they introduced Hank Williams. ... He got up and sang just one song. | can’t remember what the song was but it wasn’t anybody paying at- tention to him and of course | was. And he noticed that and he looked down at me and he sang that song to me because it wasn't anybody else paying any attention. And it really touched me. | never did forget it.”

The legacy remains intact. Tramp On Your Street is essential

and real, The Holmes Brothers — Soul Street, Rounder Records 1993

Country, rock, gospel, blues, soul, funk, R&B — it all comes together convincingly with a raw exuberance on Soul Street.

New York-based Wendel! Holmes, Sherman Holmes and Popsy Dixon squeeze raggedy riffs from some deep and smoky bar- relhouse, downtown anywhere.

Gib Wharton’s pedal steel guitar, Dobro and lap steel con- tributions push an already solid blues configuration into new sonic territory.

Unafraid to venture, the Holmes

See Harmonies page 49

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