34 - Wednesday, August 10, 1994 - North Shore News Kids’ books for adults From page 24 by a mountain in Paul Yee's Breakaway. In the Vancouver of the 1930s’ Depression, Kwok not only has to battle poverty and socially acceptable racism, but a stubborn father whose public denunciation of the “broken legs,” idlers and gamblers, in Chinatown has made his family outcasts In their own cormmunilty. Though Kwok is a talented soccer player and gifted math and chemistry student, his chances of escaping a life of drudgery on the family vegetable farm look pretty slim. . Yee, now multicultural curator at the Ontario Archives, is a Saskatchewan-born third-genera- tion Chinese-Canauian who grew up in Vancouver's Chinatown. He has written several hooks on the history of the Chinese Canadian community, including Saltwater City: An Illustrated History of the Chinese in Vancouver, That interest led to Breakaway, which was inspired Head set to direct From page 23 He apprenticed under Elaine ‘Mays of New York and idubert Hohn in Canmore, Alberta, in ihe early 1980s, exhibiting his works in Alberta galleries along the way. Head’s shift into the moving picture industry came in ‘@2 when he worked for free as gaffer on the low-budget film Sentimental Reasons by Edmonton director Jorge Moutessi. By 1985 he was second camera assistant for Anne Wheeler’s Loyalties. \t was also then that he made the big move to Vancouver's North Shore. “In '85 the film industry really started. to take off in Vancouver and | made that move here. I real- ly haven't stopped working since. _ it’s been pretiy steady for the last Dine years.” . . ' Indeed. Since coming to the West Coast, Head has worked on the feature films Stakeout, Look Who's Talting Too and the televi- sion series MacGyver and 21 jump Street, The last decade has seen him werk as camera opera- tor or assistant on more than 60 television episodes, 100 national | and international commercials and mora than 40 feature films or movies-of-the-week. Last year he won the Lotus Award for kis public service announcement Joshua and Best TV Campaign (B.C.) for the Children’s Hospital. “It (time) really does fly when ~vaeati’re having this much fun.” Now he is putting the finishing touches on his own 12-minute, feature film, Table Manners, which he plans on entering in next year’s various film festivals. “| kind of made the move three years ago and decided that | “ally wanted to direct and that if { sat around much longer, it wasn’t going to happen.” So by doing a variety of tasks on a variety of sets, Head has set ~ngimself up to become a director. Alt $2, Head has reached tne career goals he set out for himself to reach by 45, and he harbors no aspirations of moving to Los Angeles to further them. “i iove it here,” he says. With the film industry thriving in Vanceuver, being Canadian is ho fonger a disadvantage for ambitious Canadian film-makers. As Head will attest, the show must go on, even for Canadians. to some extent by the life of Quene Yip, star centre-forward of the Chinese Students Athletic Club team who defeated every non-Chinese squad in the province to win the B.C. Mainland Cup in 1933. (n fact, Quene Yip, son of a prosperous Chinatown merchant, went on to play for the first UBC soccer team, for Queens University in Kingston, and to become a chemist, writer and translator. Yee hints at no such bright future for Kwok-ken Wong after his brief moment of individ- ual glory in the championship game. The book ends on an ambiva- lent, realistic note that is distinc- tively Chinese in its emotional tenor. While Kwok has been enjoying his 15 minutes of per- sonal fame in a pointless triumph over a handful! of bullet-headed racists, the family’s precious mortgaged fields have been inun- dated by a breach in the Fraser dikes. Kwok’s decision to abandon his university hopes of “breaking away,“ to be reconciled with his father and save the farm and his sister from an arranged marriage seems perverse, but it’s calculat- ed to remind us of all the “Quene Yips" who didn’t have rich influ- ential fathers and who sacrificed their own dreams to ensure the survival of their families. in any culture, every “genius,” every “hero” rises on the backs of a hundred anonymous ancestors who sacrificed themselves so that he or she might exist — just as every climber climbs, not the mountain, but the bones of those who went before and died trying. Buy these books for your kids, wait til they’re asleep and make sure you’ve got fresh D-cells for the flashiight. 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