- 22 - Wednesday, July 3, 1991 - North Shore News

7 7
_ Deconstructing the image
Playing with the photographic process

vor ~ ~, CULTIVATED REGIONS, Recent

re Color Photographs by Jack Bu-

Fe quet, Jan (Koot) Westendorp,

, Diane Evans, and Lorne

; Greenberg, at the Scott Gallery,

. , Emily Carr College of Art and
ve Design, 1399 fohnston St.,

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KO : Granville tsland. Monday-Sun-
ne day: noon-5 p.m., Thursday till
“. 8 p.m.
Join us for lunch or dinner soon!

Open Tuesday to Saturday
1373 Marine Drive. W.Van. 926-4913

ta : Archie Graham
ART REVIEW

Commencing June 3 the Boathouse Restaurant
in Horseshoe Bay has opened its doors for
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Come join us in one of the prettiest corners of

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a HE CAMERA is one of
en the most powerful
technological imple-

ments ever invented. It br-
ings time to a halt and cap-
. tures space in a frame. It re-
Mose cords history and creates
: fantasies. It depicts reality
and manufactures illusion.
2° Presentation Flouse Gallery

“4 assistant, Diane Evans, who is a

an talented artist, explores the rela- . .
woe tionship between the camera and PUERTO ESCONDIDO, Mexico, 1991. From a series of colored
rae its subject in a series of colored photographs by Diane Evans on view at the Charles C. Scott
; — photos on show at the Charles C. Gallery.
ee. Scott Gallery. Her standard type
; prints of scenes from Mexico ~

- Photo Diane Evans

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we er, gives way to subtle complexity, COUNTRY LUNCH
es especially in shots like Oaxaca ; SPECIAL
ope 1991, a photo of a photo of a smil- 2 Monday - Turkey a la king
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Bey Here, the camera is focused on Thursday — Old Fashioned Meat Loaf Dinner (Outdoor patio Trae eo ina) Brunch
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A og expose hath the process by means Eli BAL Offered aan 24/91 with ths ad
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o tion it achieves in doing so. She of Park Royal South 922-1123

3 includes all the accidents and
ae defects and leaves the Kodak

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crucial to the photograph as the soe

ca
ao subject, the camera itself just as x eesen

aa much a focal point as what it rep-

: resents, Evans skilfully

deconstructs the photographic

image and disassembles the

. . mystique of the camera's

> . documentary tunction.

The other artists included in this
strong group show, curated by
Greg Bellerby, manipulate the
photographic process in some way
to alter or distort the resulting im-
age. By using long exposures and
the effects of movement, Jan

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