ROSS MacDonald
MUSIC REVIEW

DAVID FEINGOLD: The
Boardwalk, Black Leaf Music CD
#BL 101; ADAM HOLZMAN:
Guitar, HRH CD #CD-056;
HAROLD MICAY: The Romantic
Guitar, Equinox CD #10069;

DAVID RUSSELL: 19th Century

Music, GHA CD# 126.002
UITAR-O-PHILES will
be excited to know

: that the neo-natal

Vancouver Guitar Concert

current one is extremely hard to
find. There are eight selections in
all here, headed off by an
Andante et rondo by Dionisio
Aguado. Napoleon Coste is also
included along with Kaspar (the
friendly) Mertz and Giulio
Regondi — all performed with
not inconsiderable affection. This
CD's bound to be a collector’s
item since it’s so hard to get.
Next up is Vancouver's own
Harold Micay who appears with
VSO concertmaster Robert
Davidovici and others for an
evening of Chamber Music at the
Metropolitan Tabernacle on
March 20th. His CD is somewhat
easier to obtain than Russell's but
no less desirable for that. Here

Association (VGCA) is finally | - -

managing to get their con-
cert schedule fattened up.

And, in aid of that fledgling
club, we're going to take a look
at several performers who have
recently played Vancouver or are
scheduled to in the near future.
The next to hit the Lower
Mainland, with an afternoon
workshop sponsored by the
VGCA on March 5th at Tom Lee
Music on Granville, is Chicago's
David Russell. Though he has a
new CD coming this summer, the

NORTH SHORE
LIGHT OPERA SOCIETY
presents

“GILBERT AND
SULLIVAN'S
comic opera

a Artistic Director
ROB SANTO

” Musical Director
‘DAVID
MILLARD

Centennial Theatre
' 23rd and Lonsdale
North Vancouver

March 11, 12
17,18 19
24,25, 26

at 8:00 p.m.

March 13, 20
at 2:00 p.m.

Tickets available through .
Box Office 984-4484
The Sociery 893-5775

TicketMaster 280-3311.
or any cast member

“ We'yearefully acknowledge the assistance
of the North Shore Art Cominission and :
the financial support of the City of North

Vancouver, the Datrice of North) *
¢ District of West
Jancoures.. re 8

we got a languishing tour across
the musical map as Micay’s easy
style carries us somnambulantly
through such diverse musical
modes as a Segovia/Micay
arrangement of Albeniz’ Asturias,
Almeida arrangements of
Chopin, some short Schumann,
Canadian contemporary Syd
Robinovich plus Coste, Tarrega
and Micay’s own interpretation
of Paganini. Micay fits comfort-
ably between the strict Classical
style of Russell (above) and the
Pops of David Feingold (below).
Recently here was David
Feingold, a curious craftsman
who would regale us with muzak

See Guitars page 40

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