Twisted soa Picking up the pieces of the Twin Peaks puzzle Twin Peaks: Fire Walk With Me x x (Alliance) Rated R IME ONCE again to return to the par- | ticularly haunting Washington state town that Bob, the psycho-spirit from another dimension, calls home. . Tin: Bell FILM REVIEW “if you followed the cult TY series (and who didn’t — at feast for tie first year), you know that fresh-faced; young Laura Palmer {Shery! Lee}, like all the Twin Peaksians, carried a dark secret. + That secret was more or less revealed by Special Agent Dafe Cooper (Kyle MacLachlan) after - her plastic-wrapped corpse wash- ed up on shore. Now, director David Lynch shows us the wee priortoherdemise. = _ - Unfortunately, there’s no point. tf you ever cared whe killed Laura Patmer, you know the murderer’s identity. You saw Cooper's dogged in- vestigation uncover Laura’s sordid - past as a promiscuous junkie, tur- ‘ning tricks in a brothel just over the Canadian border. And the movie doesn't exactly fiesh out her character (in fact, she made a bet- ter corpse). Fans hoping to see all of the show’s characters are doomed to be disappointed. Peggy Lipton has along shot, sexy Audrey is missing completely and Laura’s triend, Donna, is played by a different ac- tress. The show's key focus, Special Agent Dale Cooper, only has a few scenes — largely irrelevant. Even a cameo by David Bowie looks like a favor to the director. It seems David Lynch still can’t figure out what to do with his twisted soap opera. Huge chunks temain cryptic, with surreal dream sequences and obscure clues. He’s added a little gore and some gratuitous nudity to the quo- tient, but it’s still the samme oddball mixture of boredom and disturb- ing imagery ... except on TV it was free, Enchanted April * & * ¥2 (Miramax) Rated G (at the Park & Tiiford, Roya! Centre and Park cinemas) Ah, springtime in London. Rain-drenched streets. Steamy, cramped streetcars, Add a couple of burned-out marriages and it’s time for escape. A month in a Mediterranean villa sounds like Eden to slight ac- quaintances Lottie Wilkins (Josie Lawrence) and Rose Arbuthnot (Miranda Richardson). And since the £60 rent was a hefty amount for these 1920’s middle-class women, they adver- tise to two older females in search of wisteria to share the expenses. But it’s off to a supremely un- Fest to screen impolite ‘IMPOLITE, the. 1992 New Views winner produced by West .Van-. couver's Raymond Massey, is one ‘of 23 new films to be highlighted at the Canadian. images series at the eleventh annual Vancouver In- ternational Film Festival, “Oct. 2- 18. aa . - ‘It is ane of six B.C.-made features to be invited to the series. _2 Hop Richard Martin's North of Pitts- burgh, which was filmed in North Vancouver, has also been invited ‘to screen, Directed by David Hauka, /m- polite had its world premiere last . week at Torcnto’s Festival of Fes- tivals and has been invited to the Independent Film Festival in New York. kins-Lowis Music Theatre Studio Dance &-Vocal Workshops for Performance inf Classes available for girls & bays 929-4924 or 9864098 © yrs te 1S yrs at Sutherland Schoc! Directors: Rosanne Hopkins & Cristi Lowis ~ coe aia SWING-ARM BESK LAMP * power smart fluorescent bulb § Back To School | SPECIAL promising start. Lottie and Rose arrive late and, although on Italian soil, they are drenched in ail-too- familiar rain (‘But it’s Italian raint’’). just as the sun pierces the clouds the next day, they meet their fellow vacationers. Stiffly man- nered Mrs. Fisher (Joan Plowright) buries herself in memories of dead authors, while Lady Caroline Dester (Polly Walker) is a vampish independent, weary of all the at- tention men tavish upon her. Oniy Lottie, with her unerring intuition, has good feelings about this April in Italy. So much so that she wants to share it with her husband, Mellersh (Alfred Molina) — although he was the main reason she wanted to leave. 1 agree that it sounds pretty sap- py, but it isn’t. Fabulous scenery, funny and terrific performances and a fanguid pace make én- chanted Apzil a perfect vacation from all the tiresome “blockbusters” Hollywood is of- fering. 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