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| Emotional time recall

From page 18

Washington on bass und Al
Foster on drums.

This month Blue Note
releases The Carnegie Hall
Jazz Band, directed by Jon
Faddis. Rosnes was honored
to be with the band, “It's defi-
nitely a thrill.” she said.

In May she played Duke
Ellington's Hollywood film
scores with the Lincoln Centre
Jazz Orchestra, directed by’
Wynton Marsalis.

Following her Vancouver
jazz festival dates (June 25 at
the CEC Jazz Cafe; June 26 at

‘GOOD TIME!

‘Call the Relay Hotline for: your’ registration brochure
incliding information about, the event and great prizes.

"ATH ANNUAL
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9-11 RELAY

SUNDAY SEPTEMBER 22, 1996

9:llam - i:lipm

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Sogk
(am Haneyetpant Lud,

the Vogue Theatre) she heads
for Europe to play with
Danish bassist Niels Henning
Orsted Pedersen (Oscar
Peterson's bassist).

Jazz came into her life
when she attended
Handsworth secondary schcol.

“I realiy must give great
credit to the music director
who is still there, Bob
Rebagliati.

“I didn’t hear jazz ai home
or on the radio. Bob, or Reb
as we affectionately called
him, he was very instrumental
in getting a lot of kids into the
music. He introduced me toa
whole bunch of styles of jazz
when I was starting. I can’t
give him enough credit
because | now know how
iniportant that is,” she said.

Rebagliati has this to say
about his star graduate of
1979; “She has perfect pitch
and she also played violin very
well. Anything i showed her on
the piano she had right away.

“I think she’s fabulous.
She’s built a solid and honest
career on talent.”

The latest disc from

Rosnes contains some person-

ally profound musical stories.

During a three-month peri-
od in 1994 she first met
Mohindar, her biological
mother, and she lost her adop-
tive mother, Audrey, to cancer.

“It was a pretty emotional
time with very high highs and
low lows in there. It felt very
natural to try and let some of
those feelings come out in
the music.’ .

Rosnes has yet tos see how
the discovery of her Indian

cultural heritage will influence. .

her and, by extension, her -
music. “I've always been a fan
of world music. f'm 100%
Indian, which was such a shock
to me given my skin color.”

Ancestors shows off well
Rosnes’ immense skill at the
piano as well as her strong
compositional ability.

She's learned over the
years to be less harsh on her-
self when she’s creating. “I-
had a hard time writing .-
because I would hate ¢ every-
thing I was writing., ins

“I'd crumple it up and I

didn’t give it a chance, I real- °° 5
ized you can’t do that and the.” :
~ and world-beat musicians a

best way to compose is to do.
it continually, make it not a —
special thing but just part an

your life.”

Rosnes lives with a note: ;
book to jot down her develop-
ing musical ideas, “Some-
times tunes just pop out and
sometimes they take a while *

* to grow. f don’t chastise

myself anymore.’ Whatever
way these compositions devel-
op, great. Once. you've got all:
the basics down you want 9:
be telling a story.” :

She's looking | forward to .
playing in Vancouver ¢ again
“It has a special feeling” *
because of the friends and’
family in the audience do

- And what does she maki
of the rocketing « careers of

‘three women in jazz from

B.C, iow living. the Big Apple
dream? *

+ M's interesting to me thi
there are thre¢ of us here.
because there are'not that : :
many of us yet, women instru-.
mentalists. it’s still really hard
to get that first break,’

. Diana Kralt and kigrid’:

numerous ‘oiher r jazz, blues}

the du Maurier Internation

sincluding ‘mark-downs’ and St a

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