| Jury calls for art

ARE YOU a past or present resident of the Narth Shore who has
artwork suitable for public exhibition? The autumn jury for the
Ferry Building Gallery takes place Sunday, Oct. 16 at the West
Vancouver Seniors’ Centre.

interested candidates should include in their portfolio three
finished and framed pieces of artwork (three-dimensional work
is welcome ); 26 slides or prints of current work; a written con-
cept or proposed theme of exhibition and a resumé. The works
must not have been shown in West Vancouver District — at the
Silk Purse Arts Centre, Ferry Building Gallery or Memorial
Public Library — within the last 12 months.

Artists’ submissions can be dropped off at the seniors" centre,
695 21st St., West Vancouver, between 9 and 11 a.m. on Oct.
16 and picked up between 5 and 7 p.m. thai same day.

Selected artists’ work will be scheduled for a two-week
exhibit at the Ferry Building Gallery between January and June
of 1995. Phone 925-3605 for more information.

Chorus needs tenors

tf YOU are one of thase guys who can hit the highs, the North
Shore Chorus needs you.

The area’s premier community choir requires tenors to give it
the balance it needs for an exciting new season of music. The
chorus has about 60 members and performs two concerts a
year, as welt as singing at seniors’ centres.

Last Christrrias the chorus koested a Christmas fundraiser at
Capilano College. It was also invited to sing with the Vancouver
Symphony Orchestra at the Orpheum as part of the symphony’s
Haliday harmonies event.

The ability te read music is an advantage but not a require-
ment. Rehearsals take place Wednesday evenings at Mount
Seymour United Church, 1200 Parkgate, North Vancouver.

For more information, phone membership secretary Terry
Duncombe at 990-0567.

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Canadian Gothic
The Lover
At the Watercooler
Girls in the Office
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Wendertul surprises abound

From page 26

Plunkett's direction).

ti Van Paassen does not achieve
the same fevel of bravura perfor-
mance this year as the entrapped
Sarah it is only because her role
requires a far different degree of
control,

Plunkett, for me, was the unex-
pected and wonderful surprise in
this production. } thought, as the
play began, that there was far too
much artifice in his portrayal of
Richard, but he and Tattersall have
a very clear grasp of where
Richard has to go on Pinter’s see-
saw of marital equilibrium and his
journey is ultimately affecting.

In fact, Plunkett’s final moments
of pain are so palpable that | won-
dered whether some level of that
desperation might be revealed ear-
lier. tt would be a dangerous way
to raise ihe stakes and one elernent
that might be missing in this pro-
duction is menace.

While | would like te speculate

iurther on Pinter’s aims in The
Lover it is important that ! do not
give away the plot progression.

Besides, thete are a number of
Pinter fans on the North Shore who
will have fun debating this one for
themselves.

One fina! point that applies to

$

a

THE CLIENT
Oi

many of the festival productions |
have seen this year. When there is
no budget, time or room fer the
design that the play requires but
furnilure and props are still being
used, it becomes more, not less,
important to assess the consistency
of style in the choices made.

4. HILDRE
ATE ADMISSION TIMES FD

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