photo David Cooper

SUSAN Hogan (centre) and Jillian Fargey spend much of Communicating Doors
fleeing through time from the murderous intent of Ari Solomon.

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@ Communicating Doors by
Alan Ayckbourn, produced
by the Arts Club Theatre
Company at The Stanley
Theatre. Yo April 2; box
office 687-1644.

Martin Millerchi
Curtain Call
mmillerchip@nsnews.cam

FOR some, a closet is a
scary place.

Ifthe bogevman isn’t

in the closer ready to fright
as soot as she closes her ¢
child is able to conquer b
whar’s in the closer...
Communicai
rewarding little fintasy by pr
wright Sir Alan bourn abc ppens
toa amid girl trapped in a woman's body as
she gradually gains courage and a sense of self:
worth. n this respect, Ayckbourn's play ocea-
sionally reminded me of a madcap: version of
The Lion, The Witch and The Wardrobe as fitian

But what ithe
fear aud contront

vear 2020, kept
plunging into her hotel closet
to contront ¢ atime
warp.
OF course, being
Avekbourn this is generally
comic fare, but f liked the
level of reality he finds to
underpin the general zaniness.
Or perhaps | was responding,
to the strengths of Fargev and
Susan Hogan who provide
fully realized characters who |
genuinely empathized with as
they struguied to plake sense
of the mixed up realities Avekbourn throws
their way.

You should p-rebabiv stop reading here i
you have any pling to ses ths play. bE have no
wish 10 destroy potential enjovment by reveal-
ing pict details. And the 2ightforw ard
enjoyment enough 10 mak show definitely
worth recomm .

The play is aa hotel suite, although it is
not immediately obvious chat the year is 2020.
There is not a computer chip in sight, fashions

See Avckhourn Pane 23