30 - North Shore News — Friday, November 26, 1999 Refusing the Robert Aiken Contributing Writer Te is the very error of the moon: she cones more nearer carth than she was wont, and makes men mad.” —~ Othello, V. iv 109-1 EL, ALTHOUGH it is uncharacteristic of me to watch motion pictures on television, I recently found myself tuning in on no less than three late *60’s movies within a week. Ten North Frederick, Compulsion and Peyton Place... all starring, the young, warm, compas: sionate Diane Vai ‘oman with whonr [ was once truly, mad . besotted (circa 1968). I'm talking intoxicatedly drenched (to the point Hollywood (after hiaving left intriguing legend of herself). I, in full “rescuer” mode...deep sea diving, exploring her magnetic, patchouli-enhanced richness. A very quiet, soulful lady she was — a calm and penetratingly powerful tempest; falling in love with the Ikes of her was lik finding myself, or, rather, losing myself (which can be “a good thing”) in a vast ocean of incredibly beautifi: bur depictingly warm subtropical waters * “unfathomab! ‘depths and powerful undercur- ‘rents that contrive zo suck you under. - Quite an initiation for a Hollywood actor/writer/astrologer who had scrupulously ‘avoided allowing his considerabic desire nature full sway since arriving in Hollywood in 59, ~ shortly after Varsi had departed the scene ‘Te was her Venus-on-the-halt-shell n holeptic yearning for the seemingly unattainable that especially. touched.me and drove me to dis- traction. She had been through the proverbial ‘emotional mill. I wanted to support, to help her, which I was eventually able to clo, The fan magazines, during the mid-’60s, had been wating things like: Diane Varsi couldn't “cope with fame, success, sudden glariour and the buildup thar went with her discovery and immediate stardom via Peyton Place. Part of the ‘perceived problem was her lack of background or preparation for being an actress. She was, therefore, uncquipped to separate her own identity from that of the character she was playing. If, on screen, she had to be silent, morose, suicidal, then she was unable te turn off these feelings when she removed her screen mnake-up and went home to her little boy, “Shar Varsi didi't like what het career was doing, to her. She hated the publicity, the prying ques- tions, the exploding tlashbulbs. She resented people trying to tell her how she must dre walk and talk in order to keep her stardom, She ¢ life stripped so com- he felt herself ¢ nakec before a group of peeping Toms. Acting, from the first, had been emotionally and mentally pa en got pl — neither the coutside laver, nor the inner. Instead, she just went home and began packing all of her posses . There weren’t very many things to be p {— she hadi't been around long enough to accumulate much. Whatever few jons belonged to her and were a part of outside of Hollywood, she put neatly into packing cartons and took along. The rest — the supertluous “junk” she fefi behind. She and Shawn went to tie airport and statements It has wath to do with the dio (20th Century Fos LL jst don’ want to act anymore, or to be a part of this business. 1 don't like some of the ways of Hellywood. But my reasons go deeper, much deeper. It is the rforming itself T object ta. tind it too destructive to me. [fT have any talent ( val try to find some other outlet for it that will make me less unhappy.” Tr was in March, 1959, thar Diane Varsi flew away from Hollywood. Tossed away su Gave up a career that millions would hav jumped at. it’s been four years since her exodus, and, today, Diane Varsi is a happy, fulfilled woman! She has remarried. She lives in the San Francisco Bay area with her husband, Shawn and a brand new baby. She is content. She is serene. Away from the Hollywood fishbowl, she has found more meaningful. For her, it was the only answer. Diane had to swim upstream, against the current. She had to refuse to let the bait of Tinseltown hook her irretrievably. She had ta wriggle away from the nets which engulf the famous. She had to leave the spodight to find herself. Hers is one extreme way of solving the question of how to cope with fame. But, in her solution, Diane did prove that a person can be happy sans glamour, sans inicrna- tional success, 621s autograph hounds and fan mail. For her, life away from Hollywood was che only anwwer. If she had stayed there, she confid- ed in a friend, “1 would have been destroyed!” What the somewhat bohemian Diane F knew See Enslaved Page th ure of Tinse BY her 21st birthday Diane Varsi had been divorced twice, had a gon Shaw and had ianded a prime screen role in Peyton Place. Expires Novembor 2, 1988. Not velid with any otaar offée,