Savage comed Beggars !n The House Of Plen- ty by John Patrick Shanley. A Fend Players production directed by Paul Crepeau at the Station Street Arts Centre. 930 Station St., Vancouver. Runs to Nov. 14. Information: 688-3312. HE STATION Street Aris Centre is the perfect locale for Beggars in The House Of Plenty. If you are going to spend an evening rummaging through the dark and not very dear psyches of the ultimate dysfunctional Irish- American family a quiet meander beneath the Georgia Street viaduct will quicily get you in the mood. And les:. o fiteral readers, you are now goa'ng to use the locale as a reason to av nid the theatre. ... Don’t! OK. | know the theatre is more down than town, but the changes Fend Players have wrought over the last two years in this vibrant little space are just short of mirac- ulous, and nobody has had a problem in the neighborhood that i've heard. Should you brave the tenement steps for a visit to playwright John Patrick Shanley’s tortured soul? Yes, | think so. Ever wondered why your mother seemed only too eager to have your aunt look after you, why your father expressed love with his fists or whether your brother would end up killing somebody? No? Too far-fetched? Well, have you ever asked yourself why family love can be so difficult? Of course you have. Most of us have taken that unseeing stroll Martin Millerchip THEATRE REVIEW the weakness in Johnny's marine-honed brutality. And in the only naturalistic act of the play Gale and Kondrashoff combine in moments of aching honesty to create not only the best scene of the production but the best scene of the season so far. Ron Sauve’s demonic Pop is a convincing explanation for Johnny's problems, if not his own. But because Joey still does not his subterranean journey (“You're a mystery to me.”’) perhaps Shanley has another play still to write. joey’s problems seem to stem from his thwarted love for his Ma, Babz Chula, rather than the slaughterhouse violence of his fa- ther, but if explanations are sketchy for Pop they are almost non-existent for Ma and Sister Mary Kate (Rosy Frier-Dryden). | understood Ma’s pathetic sense of self-worth is measured by the size of the pizza pie she can binge on, but | looked in vain for more of her personal struggle. And if Sister Mary Kate is in the play for any other reason than to crucify Catholicism it escaped me. Perhaps, like Joey, I’m begging for an honesty of my own making rather than accepting what is of- fered from the excessive feast on along the edge of humanity while the table. _ we peer within for personal an- The taste is unusual, even sur- swers. real. Enjoy! Dysfunction in a family is rela- tive and most of us wan't need a flashlight to recognize some of our own fears among the shades that haunt Shanley’s central character, Joey. And if this is beginning to sound like a dreary and maudlin play, nothing could be farther from the truth. Joey’s guided tour through the limbo land of his memory and soul is savagely funnier than any of Shanley’s works to date, anc under Paul Crepeau’s direction most of it works. Vincent Gale’s Joey is the foun- dation upon which this maelstrom of family emotion is put together, and when the writer's cement leaves the odd gap, Gale is so solidly centred we barely notice. Joey’s older brother Johnny is a tragedy waiting to happen. Kim Kondrashoff gives the per- formance of nis career in finding Naeil & Cole. A musical revue directed by Max Reimer at the Arts Club Theatre Revue Stage to mid December. Box office: 687 1644. | AM always amazed by the ‘number of people who have never heard the words to Noel Coward classics like Mad Dogs And Englishmen, A Bar On The Piccola Marina and Mrs. Worthington. My theatre companion, an ac- tress (and English to boot), laughed and chortled her way through all three with a vestal relish that Coward himself would have ap- preciated. |, on the other hand, white marvelling at Denis Simpson and Charlene Brandolini’s experience in selling a song, could not help hearkening back to the story that Hugh Pickett had told at the of- See Revue's page 42 Time to Register for BP TEEN DEVELOPMENT COURSES i} Adventure Tours: presents DEEP CARIBBEAN TRAVELOGUE FILM narrated live in person by DALE JOHNSON November sessions start soon! NORTH VAN. CENTENNIAL THEATRE Call 689-2215 today! Sat., Nov. 7, 6:00 & 8:30 p.m. Tickets: 12.75 plus service charge includes GST TicketMaster Info and Chargeline 280-4444 understand his father by the end of Photo submitted Babz Chula, Vincent Gale and Ron Sauve are half of the archetypical Irish-American family play- wright John Patrick Shanley creates in order to examine the surreal psychology of family pain in Fend Player’s excellent production of Beggars {n The House Of Plenty. > nere’s no better time OVAXLODGE to fail in love with B.C. ZpAvel2 NIGHTS — all over again. Now ‘til § December 15th, BC Rail and xa Farwest Adventure gan offer os you Super Saver Fail Pack- «| In famous ages that are as spectacular 7) Tyax Lodge. as the scenery. Whether you want to get away for a romantic weekend or treat the whole family to a mini-vaca- tion, there's something for everyone—from fishing, hiking and horseback riding to simply resting and relaxing. And you won't have to drive anywhere! 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