Ricky Martin
takes Garage
fans for a rid

@ Ricky Martin: GM Place Saturday, March 11.

A spectacular production, a mesmerizing performance
Bursting onto stage on a°69 Mustang, polished and puised
Ricky Martin was up for the ride (and what a ride).

Ricardo Lemvo with Makina Loca: Richards on Richards,

Tuesday, March 7. :
Afro-Cuban funk’n’chythin. The band was always on and in

the pocket. Tantalizing vocals and tempo that combine Lemvo’s

Congolese roots with a Cuban

groove.

@ Joani Loves Chachi: The
Brickyard, Wednesday,
March 8.

Now, if you're gonna play
pop, dus is how to do it. The
band is made up of members
of the now defunct Mystery
Machine. The tunes have all
the element of good pop
songs: Hook, melody, decent
harmonies and juice.

The Salteens: The Starfish
Rooni, Wednesday, March 8.

The Saltcens and Star
Collector played The Starfish,
opening slots for Dorothy
Missing. Not a bad crowd for
a Wednesday night showcase.
The Salteens host a CD release
Party tomorrow night at the
Brickyard with Run Chico
Run and Young and Feisty
and Sexy.

@ The Transvestimentals/
Hissy Fit: The Piccadilly
Pub, Thursday, March 9.

The Transvestimentals
opened for Hissy Fit. The
band has been plaving the cir-
cuit for a few years. They
choose to donate half the pro-
ceeds from their gigs to vari-
ous charities, predorninately
The Every Woman's Health
Clinic and The Positive
Women’s Network. The
Transvestimentals are comprised of members of assorted bands
around town and EF assure you they rock. Coal plays The Pic,
March 24. hmmmm. Bass: Darwin Blidgeon; Guitar/vocals:
Polly Dolly, Lead vocals/guitar: Miss Betta Behave and Drums:
Bernie Morocco.

RICARDO Lemvo brought his Afro-Cuban sound to
Richards on Richards last week.

@ The Riff Randals: The Marine Club, Friday, March 10.
Ramones-influenced punk rock. Lots and lots of hook, but
lacked a litde bottom end. None the less, very entertaining.
BCD Review — Mike Ness: Under The Influences (Time
Bomb) ****
Back to the roots rockabilly with Mike Ness. Clearly Mi
was influenced by the gi ¢ Tank Williams, Jonnny Cash,
and others whose songs he covers on this CD. The use of the
upright bass and peda! stee! set che tone. A slice of country, 7
mentary in rockabilly, blues and rock filtering through in one
smooth package. A definite departure from his days with Social
Distortion. — Sprout

SALTEENS’ keyboard
player Erin Jane at the
Starfish Room.

RICKY Martin and dancer share Garage stage with « '69 Mustang.

TRANSVESTIMENTALS
opened for Hissy Fit at
the Piccadilly Pub.

ees i ATLANTA’S Sector 9 laid
NEWS photos Sprout www.eyeteaser.convSprout «= dowri some heavy
grooves at the Brickyard.

Thee Goblins a must-see

THE night of the Good Jacket and
the pile of good bikes.

The scene: downtown Vancouy

rst up at the Marine Club to kick-off the
release party for the Vaucauver Special
compilation CD were North Sho
Goblin:

‘The nearly anonymous garage cock answer to
the Residents also contributed the first wack to
the Mint Records benetit for Loving Spoonful
organized by Sean Raggett. Raggett is proprietor
of the late Mount Pleasant Good Jacket thrift
store and singer with the Riff Randells, who also
appear on the compilation and were to take the
stage after Thee Goblins.

Clad in) bed-sheets and University of
Washington cheerleaders’ jerseys, Thee Goblin
(Nardwuar the Human Servictte) on Farfisa Over at the Brickyard, Sound System Sector 9
organ and The Gobiin (Scott Livingstone) on — was laying down some serious heavy grooves for
drums were joined by A Goblin (John Collins), the jam-nation and rave-oeracy. The Adanta
who did double duty as the Skablin and cembo brought both camps together for one
Gothblin. Audience-participation and songs with t only, along with a cavalcade of bicycle
wacky titles like “Mario Cuomo Works Ai couriers and their expensive machines. Next ame
Domo” make Thee Goblins a must-see. They're they hit town, expect the Brickyard to hire a pwo-
the embodiment of fun. wheeled valet. — Bob Mackin

THEE Goblin Nardwuar the Human
Serviette takes aim at the camera.

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