~.34 — Sunday, July 12, 1998 ~ North Shore News Pay attention te humanity’s cleava ‘’ myth in common, the . vision of a world in ; which. life is consecrated, Weare all approaching the archetype of a sacred world : Som our own areas of exper- tise. When we give it a chance, time for'a mar- ie, to sit back in... people with ans for. plenary pe Peace, net- diality. between something ti resonates and something: doesn’t. Some people can , say,the strangest things, but here’s some integrity of word one squeezes much into a lit- tle. Onc takes a huge thing and constricts it into an essence. The magician will regard a flower on the altar and say, “This flower repre- sents the sun.” This capacity to link the large and the small by way of our imagination is a powerful tool. Artists are those who use that tool creatively. The artist looks at the alive- ness of an idea and gives it shape in such a way that it gives birth to wholeness, per- petuates unity. Traditional Scandinavian builders constructed their homes in such a way. They would carefully select a site in a wooded area and then use the trees they cut down as the core of the dwelling chat would take the place of the forest. They took care to place the trunks and planks used as pillars in the same positions in which the trees originally grew. In this way, they A that the resonance and vital force of the trees continued to-live, | - even though the trees them- selves had been cut down. We've lost this art in our modern, western culture. We have ceased to be artists in that cespect. We make new cre- ations in such a way that they kill something in the process. When we build a road across the countryside, some of that countryside dics. Look at an ancient road and see the differ- ence. It has a-resonance to it. " [recall being driven by an igyptian taxi driver named Mohammnied along a recently uilt road from Alexandria to. ‘Cairo, Egypt: ‘Mohammed ‘ poi ied: ‘to the surrounding lesert, where the old road used to be. And, there was ‘ that resonance. “Ir was probably first used as path by animais, then by. : humans: And then, as more humans used it, it became-a ad. Then ‘buildings began to pear round it; although in the were few build- igs, we Were mid-desert. Bur: it was coniiected with deeper aspects of our being and of the land. Unless we know how to place sacredness in things like roads, buildings and other . forms, the sacred world will not be born. The structures - we create will run contrary to what we seck to accomplish: An artist of thé sacred world always creates a new wholeness, creates ideas that ‘reality and potential and does, this i in a way that Quality Work Trustworthy Service - Our 40th Year FREE ESTIMATES & CONSULTATIONS _ ALSO COMPLETE . north shore news ALTERNATIVES honors the parts. When there is connection berween the global and the personal, then something hap- pens which resonates far and wide. Two, three or four peo- ple can do something quite local and small and it can res- onate around the globe. The ball is in our court. All of us, as artists of life, can, in our own lives, remind our world of the power of reso- nance between spirit and form. To have free access to the planet, we best be integral in ourselves. We-best resonate with the same inner life of realization /transtormation. Planetization of humanity requires a self-transcendent person. We will not discover our transpersonal self without discovering our identity with humanity. We'll nor be whole until humanity is whole. Cleavages that afflict humanity’s world body are marked in our own substance. We can no longer be indif- ferent. The planetization of humanity is now a fact to be incorporatec’, assimilated and . acted upon . : . is an interna- sionally known professional: astrologian ‘and therapentié QD vcar experience, Phos wiih 40 years’ ence. Phone. Carole : Sedo. . Join us. . Walk, » Fun, jog ~ but, be z a pa of worthwhile event. Sign up, before July A 199% Together, we “relay” can make a difference. wis AIR CANADA @ £0 cancot Moneroat oeaess sett Ad