ogi 25 - Friday, October 28, 1988 - North Shore News get you in the Halloween mood IN HONOR of Halloween, here’s a hangman’s dozen of ghoulish delights available on video. Frankenstein (MCA) The granddaddy of them all has had footage restored that hasn’t been seen since its original release in 1931. Karloff's performance is both sympathetic and brutish, winning universal recognition. Bride of Frankenstein (MCA) Director James Whale injects a streak of black humor in this se- quel that manages to top its predecessor. The highly-strung Colin Clive is cajoled into creating a mate for the undying monster by the sinister Ernest Theseiger. Elsa Lanchester makes movie history premiering the beehive hairdo (with lightning streaks yet). As an added bonus, the tape in- cludes the original trailer for Psycho with Hitchcock giving a droll puided tour of the eerie Bates Motel. The Body Snatcher (RKO/ Nostalgia Merchant) Producer Val Lewton specialized in atmospheric, low-budget tales that used restraint while raising -hackles. Based on Robert Louis Steven- son’s story, this chiller shows the downfall of a Scottish doctor who is forced to deal with a blackmail- ing cabman (Karloff) who moonlights as a grave robber. After supplying some particularly fresh specimens for the doctor's anatomy class, they fight to the death ... or so the survivor thinks. Horror of Dracula (Warner) Hammer Films’ full-blooded retelling of the old classic offers an athletic Dr. Van Helsing (Peter * Cushing) battling the screen’s most dynamic Count (Christopher Lee). The sexuality of the vampire is brought front and centre as his female victims, with bosoms heav- ing, eagerly await his kiss. A brassy score and an exciting chase climax make this the best undead film made. Dead of Night (Thorn/EMD Five supernatural tales unfold at a gathering of strangers who feel a dash of deja vu about their meeting. Each relates a dream or story, with the most horrific left for TIM BELL film reviewer last, as ventriloquist Michael Redgrave finds his dummy ad-libb- ing during his act. The segments are unsettling, except for a light- hearted ghost story which acts as a breather. . Psycho/The Birds (MCA) Hitchcock’s two frightening yarns initiated a series of pale im- itations based on his then-novel themes of, respectively, a slasher killer and a natural Armageddon. Both films will instill a lifelong uneasiness, if not outright dread, about showers and our feathered friends. The Haunting (MGA/UA) Taking a tip from Val Lewton’s less-is-more theory, director Robert Wise never shows the ghosts that walk the halls of Hill House. Four hardy mortals try to record the supernatural events but things that go boom in the night soon have them reconsidering. Daughters of Darkness (Con- tinental) This Belgian vampire story follows a newlywed couple falling under the influence ofa _> mysterious woman in a luxurious hotel. When asked to what does she owe her youth, she replies, “Diet and rest.” An offbeat movie that tosses in nudity and lesbianism as well as some shivers. The Exorcist (Warner) The first horror movie to crack the top-ten moneymakers. After a brilliantly moody opening in Iraq, the movie shifts to an urban brownstone where the demon takes up residence in a pubescent girl. Subtlety is not the film’s strong point, but overall it’s well- crafted and delivers the scares with a wallop. Alien (CBS/Fox) Basically, this is a haunted house-in-space, as an ever-evolv- ing life form runs amuck on a ship hauling ore, whittling the crew down to Sigourney Weaver. It builds slowly to a graphic gore scene, the infamous chest-burster, but all gore from there on is discreetly hinted at. The sequel, Aliens, is faster- paced and more of a Space- Rambo movie, as Weaver again battles not one, but a horde of oversized, man-eating insects. offer get away! H This coupon cannot , oe HORSESHOE BAY 6695 Nelson Ave. uw” be used in conjunction with any other offer. (Maximum two coupons per party — No separate cheques) Reservations accepted. West Vancouver 9 88 COAL HARBOUR 566 Cardero St. lancouver ol