poi se SEP tiki, cone ae Zone in COMPETITIVE DRAMA festivals can be traced back thousands of years but that does not make them totally legitimate. At least the ancient Greeks had, sometimes anyway, separate categories for drama and come- dies, How can one watch a tradition- al European comedy overlaid with elements of English farce and say whether it is “better” than a short, delicately balanced, U.S. two- handed drama? But that is what adjudicator John Cooper must do next week when he chooses the Best Overall Production from the Theatre B.C. North Shore Zone Festival Of Plays to be staged at Presentation House, Theatre B.C. is the umbrella Organization to which most of the province’s community theatre ~ , Broups belong. It provides a network of infor- mation and training opportunities as well as arranging the annual drama festival. The province is divided into geographic regions and profes- sional adjudicators determine which plays will represent their '..zone at the finals. “' Consider buying the bargain- priced week’s pass (986-1351 for Info) and play “pick- -the-winners” _- with John Cooper. -,, Here’s a preview of the play texts and some points to look out for a Monday, April 24. @ The Entertainer by John : Osborne: an excellent festival choice since Osborne’s staging ‘requirements match the simplicity ‘often created by the limited setup time of competition. *“ Osborne's second major play (see below’ for Look Back in Anger) continues to develop his social and political voice but jux- taposes an extended allegory with. “naturalistic treatment of the fami- ly scenes at the core of the drama. : The music hail scenes are not on Theatre Riertinn Millerchip curtain just there to demonstrate how poorly Archie Rice is doing in the dying trade of Music Halls. Will this production undress Britannia? And what does the telegram actually say? Tuesday April 25 # Scapino! by Frank Dunlop and Jim Date: The plot is based on a play by French dramatist Moliére, who in turn was working with a comedic structure that can be traced back to early Roman come- dies. The role of the wily Scapino is an opportunity for a comedic tour de force but watch for how well this young ensemble brings to life the world of the play. Wednesday, April 26. 8 Dark Brown by Philip Johnson: Self-described as a melodrama, his play dates from the ‘40s and owes little to the great traditions of plays like The Silver King. But style will be everything with this production with the heavy foreshadowing either creat- ing Hitchcockian suspense or campy comedy depending on the director's choice. ; T hope they play it straight, although the central character's resolution then becomes problem- atic. §B From Five To Five Thirty by the ‘same author provides an even bet- ter example of the.type of English theatre that Osborne rebelled against with Look Back In Anger. Experiance the wonder of Carl Brenders Earth Day ‘95 ‘The Family 1 Tree Tis and many © prints from MILL POND PRESS wt unique new limited edition fine art print for anyone interested ‘in the mystery and beauty of nature... now taking ‘orders ... limited "quantities Will this production create that piece of Old England? Wonderful character opportunities if not overplayed, Can you guess the ending? Bet you don't. i Visitor From New York by Neil Simon: Will this production meet the challenge of finding different dramatic music for the repeated blocks thrown up by Sara? Can we empathize with this frenetic East Coast WASP? Thursday, April 27 B Look Back In Anger by John Osborne: a truly great turning point in English theatre, but one Osborne spent his life living down. ’ The play that gave rise to the expressions “kitchen sink drama” and “angry young man.” A modern Canadian audience will not be aware of post-war English angst. To some extent this production will need to create that larger world of the play. What is Jimmy Porter angry about and why is the play called Look Back in Anger? Friday, April 28 & Autunn Leaves by Julianne Bernstein: a subtle two-hander dealing with the separation of two sisters and separation from memo- ry. If it works it hurts, and by hurting illustrates the power of theatre to make accessible a for- cign experience, Gi Sorry, Wrong Number by Louise Fletcher; The concentra- tion on plot is certainly dramatic, but with only one character and a lot of voices this may not be the- atre so much as radio. Saturday, April 29 B Thin Ice by Bunuta Rubess and Beverley Cooper, a non-competi- tive entry from Pemberton sec- ondary school and the only script I have yet to read, will be fol- lowed by the presentation of awards for acting, directing, design and technical merit as well as the choice of the North Shore Zone winner, Break a leg, everybody. sehen eaitnatrod 2. The Specialist Wednesday, April 19, 1995 — North Shore News':28 #* *Adults '4 ‘Children & Seniors'3 THE JUNGLE BOOK (mature) at 7:00pm and matinees Fri/Sat/Sun & Mon at 2:05pm QUEEN MARGOT (restricted) at 9:05pm LEGENDS OF THE FALL {14 yrs,) at 7:05pm SHALLOW GRAVE (restricted) at 9:35pm THE FLINTSTONES (general ) $1.99 matinees Fri/Sat/Sun & Mon at 2:00 pm HEAVENLY CREATURES years ) 7:10 pm & 9:25 pm “Hk aD Pheteng Adare, SEM SORE POST PER iL INGS HY UNGILE if BOOK Toles SSS RSet ete nm Otfer Vatid in Area 68 Britsh Colurnbia, April 1? - May 13, 1995 Cannot de combined wilh any other offer and 15 not available lor “At Work" or Community Meetings. As people vary so do results. © 1995 Weight Watchers Internatronal Inc.. owner of the Registered Trademark. all ighis reserved Surel The People Get Seat Belts... but what about USI Please be a re nsible pet owner and provi your dog with a protective kennel fostened to the centro of” your vehicle. Better yet, leave your dog - at home.. 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